At the Antigua Classic Yacht Regatta, wealthy skippers and their intrepid salty crews race elegant ships of every size and vintage. But out on these waters, a passion for the sea puts eveyrone on the same boat. Writer Joshua David Stein sets sail.
The English multimillionaire Peter De Savary is behind the wheel of the Whitehawk,
a 105’ foot wooden ketch built in 1978. Afore him lie a beautiful teak deck,
13,000 square feet of sail, a crew of five, a Chihuahua named Louis, a much
younger “assistant” named Jane playing with Louis and a race. At his back,
the verdant hills of Antigua unfold corrugated metal roof huts burrowed next
to multimillion dollar homes like that of Jean Paul Belmondo. The fury of
the Caribbean sun beats down on De Savary, his crew, me, the yacht, the marina,
Rendezvous bay, Antigua, everything. De Savary, who everyone calls PDeS is
a real estate magnate in Grenada, a real Dan Yack figure with a fat cigar
stuck between his bone white teeth and dark tan face. He looks like a handsome
Billy Joel. De Savary, who founded the St. James Clubs in London and New York,
almost died in a plane crash in 1987. Since then has been living life expansively.
The cabin of Whitehawk boasts a fireplace, a pure silver chess set, and a
number of flat-screened televisions. PDeS places a battered white captain’s
cap on his head: “This,” he says, “is my father’s cap. It’s 50 years old.”
This is Antigua Classics Regatta, a gathering of classic ships and classic
captains. Most things here are at least fifty years old. The regatta, now
in its 21st year, is one of the largest classic regattas in the world. Flank-to-flank,
over sixty vessels are moored at the Antigua Yacht Club Marina in Falmouth
Harbor. Since this is a Classic Regatta, all the ships--the ketches, yawls,
schooners, the sloops--have been built before 1950 or after 1950 but using
pre-1950 plans. The oldest ship, Galatea, was launched in 1899. The youngest,
Ranger, a 136’ sloop, was built in 2003 but looks straight out of Gatsby’s
Long Island Sound. Unlike the aggressive engineering of America’s Cup, there
are no fiberglass hulls here. Nothing is state of the art, or rather it is
but the state frozen in time. Among the assembled vessels are some legendary
classic yachts: Juno, Wild Horses, The Lone Fox. These are ships people speak
about with reverence. Aggressive tactics are frowned upon. Challenges are
strongly discouraged. “This is a gentleman’s race,” one sailor told me. What
draws these men and women to the water is a love of sailing. “The wind, the
sun. It’s primal,” Johnny Summers, a salty seadog with a Hemingway beard from
Vermont tells me, looking out into the horizon. The owners race for glory,
not for money. The grand prize--a $15,000 Luminor wristwatch made by the Italian
luxury watchmaker Panerai, who in addition to paying the docking fees and
sponsoring the regatta, has also paid for my attendance--could be bought on
whim by any of the owners.
Apart from the captain’s cap, the deck of Whitehawk is rather democratic.
In fact, for such an elitist sport, the marina had an overwhelming air of
camaraderie. It doesn’t matter who you are or how much money you have inside
the gates of the marina. Salty seadogs, young aimless sailors and sea-loving
oligarchs, on deck a ship it’s only how well you can trim a sail or tie a
knot that matters. Races are a high stakes aquatic pick up game. As long as
you can play you’re pretty much assured a spot. This makes for a colorful
motley crew. PDeS lives onboard with Jane and Louis. They have a mahogany
bath tub and a king size bed. In somewhat smaller quarters live LT, the captain,
Mattjis, the tall Dutch first mate, Ally, the stewardess and Marissa, an aimless
18 year old girl from Cornish. She figured working on a ship beats working
on land.
The rest of us are just on board for the regatta. This includes those who
are experienced sailors men like Phil Cowpland, a tree surgeon from Brighton
who is preparing to cross the Atlantic solo in 2010 and Lucas Alexander, who
flew in from Sydney to work as a tactician and also men like me to whom notion
of sailing had never been tainted by actually doing it.
The day’s races start at the gentlemanly hour of eleven and finish around
two or three, leaving ample time for Pimm’s cups at the harbor. Today’s race
is a double sausage: vessels trace a straight six mile course to a buoy, turn
around, sail six miles back and repeat. Though some regattas are held for
one type of ship only, the boats competing here are all different. Velsheda,
for instance, is a monstrous 130’ J Class Sloop while Springtide is a merely
24 foot. To even the playing field, each vessel is given a rating or, what
in golf, might be called a handicap. This depends among other things on the
size of the mast, the ship’s age, the maximum speed, the beam, the weight
and the draught of the ship. But what really goes into a rating, say many
sailors, is mysterious. “There’s a formula but we’re never quite sure what
it is,” says LT. The rating is decided upon by some wizard at the yacht club.
Each type of ship has a slightly different start time. The Classic A Ships,
which we are, start an hour after the smallest vessels. In many ways, the
moments before the race are the most important. Unlike a horse race, there’s
no gate to jump out of. And unlike Nascar, there’s no easy way to reverse
a massive ship. Approaching the starting line, demarcated by two floating
buoys, is an exercise in patience and calculation. At 11:58am, the crew of
Whitehawk is panicking. We’ve approached the start to early. LT stands abaft,
shouting at us to loosen the sails. Mattjis stands at the front, counting
boat lengths with his fingers. Two, One. It’s no use. Our sails are as slack
as can be. Our stern breaches the imaginary plane moments before a shot rings
out into the air. LT hollers. “Trim the sails! Trim the sails!” Immediately
all hands begin to tighten the canvas against the wind. The massive ship begins
to gather speed. As she does, the ship begins to tilt along its side. When
a ship is at its best, it rides along raked, like a debonair gentleman’s hat.
The crew not manning the sail lines hurry to the high side of the ship, to
counterbalance the wind. PDeS, still chomping on that cigar, is calling out
general commands though Louis the Chihuahua doesn’t seem to notice a race
is on.
There are only three real moments of drama in the race. Each time the ships
clump up to jibe around the six-mile mark and change direction, there’s a
frenzy of action. Turns are where races, generally, are won. The trick is
to cut as close to the buoy in the sharpest turn possible. Needless to say,
there’s a lot of jostling for position. A few years ago in 2005, a 55 ft schooner
rammed into the back of 38 ft ketch named Aspara, sending her mizzenmast overboard.
As the ship jibes and we head back to the marina, the boom describes a quick
arc close above our heads. The ship groans and rolls over on its other side.
The crew amidship scurries under the dangerous wood to the other side. For
a moment the sails slacken and then the wind tightens them again and we’re
off.
We finish well though the premature start penalty sinks us out of the running
for the watch. No one seems that upset. There’s a Concors D’Elegance in a
nearby harbour. All the ships sail past an assembled crown on the dock. We
line up to face them and wave. As each of our fellow ships pass us, the crews
lined up on deck applaud each other. An announcer with a posh English accent
sts in a booth dockside manages to get the name of nearly every ship wrong.
Lucas says, “This guy’s a classic. He never gets anything right.” There’s
an ancient old man standing up in a inflatable dingy in a periwinkle tuxedo
and a top hat. He waves to us toothlessly. Back in the marina , we wipe down
the deck with chamoise clothes---sea water ironically kills boats--and sit
around drinking Heineken. DeSavary has headed down below. The sun tracks its
way across the sky until the blue turns to pink and the mountains fade from
green to black silhouettes. The beers keep flowing and we move the party to
the dockside bar, the Last Lemming. The sailors from all the ships come in.
Most of them know each other, either from working on the same ship or from
traveling the same regatta circuit. Even if they don’t know each other personally,
they probably know of the ship or know the captain. They are a band of brothers,
all men who have turned their back on land-locked fixed addresses, who, like
Ulysses’ sailors, have chosen not to “deny the experience of what lies past
the sun.” They drink long into the night. According to a handsome young sailor
named Derek Norton, there’s a practical aspect to this debauchery as well.
“A hungover ship sails faster,” he tells me.
The next morning was the last day of the regatta. The crews were hungover
and the sky overcast. After sailing into the bay amidst the hurl of rain,
the ultimate race was cancelled. Most of us repaired to the bar. In the afternoon
however, the sun broke through the clouds. Small gig boats big enough for
two people at most raced near the historic Nelson’s Dockyards. Ladies in floral
dresses sold biscuits and cream tea. Little naked children jumped from the
pier into the water. Captains and crews gathered and discussed their plans.
Some were sailing back up to North America, in anticipation of the Newport
Regatta, others were heading to St. Barthes. Johnny Summers had found berth
on Juno and was sailing back to Maine. LT, Whitehawk’s captain, had little
choice. Peter De Savary was heading back to Grenada and he was taking Whitehawk
and LT with him. LT shrugged. It’s the life of a sailor.
As the sun set on our last day in Antigua, the marina already looked deserted.
Many of the ships had already hoisted anchor and left. In the distance, the
silhouette of a classic ship glided along the horizon line. The sun filtered
softly through her sails before disappearing into tomorrow.